2026-03-23

The First Material Is Meaning: The Role of Storytelling in Urban Development

The Eiffel Tower was a provocation before it was a landmark.

Our latest Foundations piece explores the role of storytelling in urban development and why narrative is not marketing but a decision-making framework that aligns capital with culture.

That’s why we say cities are built twice: first in imagination, then in material.

Anthony Nelson, Global Executive Creative Director

Long before concrete is poured or steel is lifted into place, a city is built in language. The first material of urban development is not glass or stone, but meaning. The Eiffel Tower was a provocation before it was a landmark. Manhattan was an idea before it was density. Silicon Valley is a story of risk and invention, not a loose collection of office parks. In each case, narrative preceded form. Belief came before build.

This is not romanticism. It is structural. Humans organise around stories. As the historian Yuval Noah Harari (Author of Homo Deus – A brief History of Tomorrow) has argued, shared myths are what allow large groups of strangers to cooperate at scale. Nations, markets and institutions function because people believe in a common narrative about what they are and where they are going. Cities are no different. They are coordinated belief systems expressed in space.

In contemporary development, however, storytelling is often relegated to the end of the process, treated as marketing veneer applied once the masterplan is resolved. But narrative is not decoration. It is governance. It shapes what gets built, who it is for and why it matters. A coherent place vision provides a decision-making framework that aligns investors, designers, operators and communities before competing interests fragment momentum.

In an era of accelerated capital flows and compressed delivery timelines, this clarity is increasingly critical. Global real estate markets are saturated with mixed-use districts, innovation hubs and lifestyle precincts that look strikingly similar. Differentiation cannot rely on form alone. It must be rooted in identity. Projects that articulate a compelling and authentic story early tend to gain traction faster, secure partnerships more confidently and withstand inevitable friction with greater resilience. They attract not just tenants, but advocates.

Research into place branding and urban competitiveness reinforces this dynamic. Cities that articulate a clear identity – whether Copenhagen’s commitment to liveability, Bilbao’s pivot to culture, or Medellín’s narrative of social transformation – are better positioned to attract talent, tourism and investment. The story does not replace infrastructure or policy, but it frames them.

The challenge today is that belief is harder to earn. Public trust in institutions is fragile. Communities are wary of developments that promise regeneration but deliver displacement. Against this backdrop, storytelling cannot be aspirational spin. It must be credible, grounded and participatory. The most powerful place visions are not imposed scripts, but shared narratives that reflect local culture while pointing toward a plausible future.

That’s why we say cities are built twice: first in imagination, then in material. When the first build is weak, the second rarely compensates. Without meaning, even technically proficient projects risk becoming commodities – interchangeable, forgettable, vulnerable to the next market cycle. With meaning, developments can transcend their footprint and become part of a larger civic story.

Talk to Anthony Nelson about The First Material Is Meaning: The Role of Storytelling in Urban Development